Facebook Slider
Marky Edison

Marky Edison

Joan As Policewoman - Liberty Hall Theatre, Dublin

It’s the first night of Joan As Policewoman’s Irish tour.  In the gentile surroundings of Dublin’s historic Liberty Hall various cups of tea are scattered about between a baby grand, a Fender Twin amp and a mysterious, vintage style preamp on the stage of the Public Sector Union’s headquarters.  Joan Wasser has been performing as Joan As Policewoman since 2004 and released seven albums.  Tonight we are promised an anthology of her solo work in a resolutely solo presentation. 

She takes the stage in shoulder pads and glitter to open with ‘To Be Lonely’ and ‘Wonderful’ at the piano.  In this environment, her every breath rings around the theatre.  After ‘Warning Bell’, there is an awkward silence as Wasser checks the tuning on her telecaster and stretches her fingers into guitar picking shape.  She sips her tea and plaintively croons an ululating sigh. 

She dedicates a song to Elliott Smith which seems to satisfy the hipsters in the audience.  You can actually feel their smugness bloom in the darkness.  Beside me a cross legged, barefoot man in shorts complains about the quality of the craft cider.  Between songs, the forced laughter of the arthouse greets every mumbled utterance from the stage.  

I’m starting to miss the band and feel a little restless in my chair when Wasser introduces the mysterious box.  It’s a Roland Rhythm Ranger (1973).  Between the Roland and her loop pedal the sound fills out and the gig picks up some momentum.  The fuller arrangement feels more satisfying but the whole show has started to feel like a joke that I’m not in on.  The identikit singer-songwriter arrangements are generic and, though the control she exerts over her voice is admirable, there is nothing to grab on to.  It ends up like listening to the audiobook adaptation of a teenage emo kids diary. 

Eventually every precious, self-conscious note begins to grate and I know I’ll have to leave before I start to hate her recorded works too.  She plays a cover of Damon Albarn’s ‘Out Of Time’ and Prince’s ‘Kiss’ but they are indistinguishable from the general melange.  We leave, unimpressed, but we appear to be in a minority as the reaction between songs suggests that there are a lot of satisfied customers here tonight.

 

 

Northern Genocide Announce Genesis Vol. 666

Northern Genocide is a mixture of aggressive guitar riffs and unequalled electronic elements. The industrial and modern metal tracks tell the story of our faulty society and the impending apocalypse. Genesis Vol. 666 is the debut album of this risingFinnish band and it is released in August 30 by Inverse Records.

The first single from the upcoming album is ‘Ikiruoste’. Lead guitarist Pyry Pohjanpalo says Ikiruoste is the first single, and the only one band has written in Finnish… It's about the grim arrival of the final Nuclear Winter.”

Northern Genocide was formed in 2010 in Helsinki, Finland. It all started with a meeting of old highschool friends, guitar player Pyry and programmer Rainer, after Pyry had discovered Rainer's interest in programming and computer music. They both had a history of playing in various metal bands, but now they wanted to try something new by bringing electronic influences to metal. The very same year they started recording demos in their home studio in Helsinki. At first, Pyry did the guitars and vocals and Raikka programmed the rest.

Now the band releases it's first full-length album. Genesis Vol. 666 is a modern mixture of melodic and industrial metal with aggressive synths and epic orchestral compositions. The lyrics, written by Tommi Salonen, describe the faults in today's world and exposes our society's dark sides. The album is released in CD and digital format by Inverse Records.

Track List

1. Intro

2. Genesis Vol. 666

3. Black Widow

4. Annihilation Of The World Of Spirits

5. Neon Antichrist

6. Ecplise

7. The Siren

8. Soul Dystopia

9. The Avalanche

10. Sintropolis

11. Ikiruoste

 

 

Subscribe to this RSS feed